{"id":6,"date":"2009-05-08T13:21:56","date_gmt":"2009-05-08T12:21:56","guid":{"rendered":"http:\/\/maria.creativechamber.com\/?page_id=6"},"modified":"2026-06-21T20:43:31","modified_gmt":"2026-06-21T19:43:31","slug":"links","status":"publish","type":"page","link":"https:\/\/www.mariageorgoula.com\/?page_id=6","title":{"rendered":"Press"},"content":{"rendered":"

Tennis Court as Artist\u2019s Studio by Nicolas Vamvouklis, Racquet Magazine, Issue 28, June 2026<\/a><\/p>\n

Merchandise for Gelsomina, An Issue dedicated to Guiletta Masina, Darling Magazine, June 2026<\/a><\/p>\n

The Air is Subtle, Yet it Moves, The Italian Art Guide, \u0399\u03bf\u03cd\u03bd\u03b9\u03bf\u03c2 2025<\/a><\/p>\n

\u039c\u03b9\u03b1 \u03bd\u03ad\u03b1 \u03ad\u03ba\u03b8\u03b5\u03c3\u03b7 \u03ba\u03b9 \u03ad\u03bd\u03b1\u03c2 \u03bd\u03ad\u03bf\u03c2 \u03c7\u03ce\u03c1\u03bf\u03c2 \u03c3\u03b5 \u03bc\u03b9\u03b1 \u03be\u03b5\u03c7\u03b1\u03c3\u03bc\u03ad\u03bd\u03b7 \u03b3\u03b5\u03b9\u03c4\u03bf\u03bd\u03b9\u03ac \u03c4\u03b7\u03c2 \u0391\u03b8\u03ae\u03bd\u03b1\u03c2, \u0391\u03c1\u03b3\u03c5\u03c1\u03ce \u039c\u03c0\u03bf\u03b6\u03ce\u03bd\u03b7, Lifo, \u0391\u03c0\u03c1\u03af\u03bb\u03b9\u03bf\u03c2 2025<\/a><\/p>\n

Slapstick \u03ba\u03b1\u03b9 \u0393\u03bb\u03c5\u03c0\u03c4\u03b9\u03ba\u03ae. \u03a3\u03ba\u03ad\u03c8\u03b5\u03b9\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03ba\u03c9\u03bc\u03b9\u03ba\u03ae \u03c3\u03cd\u03bd\u03c4\u03b1\u03be\u03b7 \u03c4\u03c9\u03bd \u03b1\u03bd\u03c4\u03b9\u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd, \u039a\u03c9\u03c3\u03c4\u03ae\u03c2 \u0392\u03b5\u03bb\u03ce\u03bd\u03b7\u03c2, \u0391\u03c5\u03b3\u03ae \u03c4\u03b7\u03c2 \u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03ae\u03c2, \u0399\u03bf\u03cd\u03bb\u03b9\u03bf\u03c2 2021<\/a><\/p>\n

\u03a3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03b7 \u03c4\u03ad\u03c7\u03bd\u03b7 \u03c3\u03c4\u03bf \u039c\u03bf\u03c5\u03c3\u03b5\u03af\u03bf \u039c\u03c0\u03b5\u03bd\u03ac\u03ba\u03b7 \u03c4\u03b7\u03c2 \u03bf\u03b4\u03bf\u03cd \u039a\u03bf\u03c5\u03bc\u03c0\u03ac\u03c1\u03b7 – \u039a\u03ac\u03bd\u2019 \u03c4\u03bf \u03cc\u03c0\u03c9\u03c2 \u03bf \u03a1\u03bf\u03b2\u03b9\u03bd\u03c3\u03ce\u03bd\u03b1\u03c2, \u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03b9\u03bd\u03af\u03b4\u03b7\u03c2, Lifo, \u039c\u03ac\u03b9\u03bf\u03c2 2021<\/a><\/p>\n

\u0391\u03bd\u03b1\u03b6\u03b7\u03c4\u03ce\u03bd\u03c4\u03b1\u03c2 \u03c4\u03b7\u03bd \u03b5\u03bb\u03b5\u03c5\u03b8\u03b5\u03c1\u03af\u03b1 \u03b1\u03c0\u03bf \u03c4\u03b1 \u03c0\u03b1\u03c1\u03b1\u03b4\u03b5\u03b4\u03bf\u03bc\u03ad\u03bd\u03b1 \u03bd\u03bf\u03ae\u03bc\u03b1\u03c4\u03b1, \u0394\u03b7\u03bc\u03ae\u03c4\u03c1\u03b7\u03c2 \u0391\u03b8\u03b7\u03bd\u03ac\u03ba\u03b7\u03c2, \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae, \u0391\u03cd\u03b3\u03bf\u03c5\u03c3\u03c4\u03bf\u03c2 2018<\/\u03b1><\/p>\n

Un-Taming the Tongue, Un-Domesticating Meaning at Tinos Quarry Platform, UND.Athens, \u0391\u03cd\u03b3\u03bf\u03c5\u03c3\u03c4\u03bf\u03c2 2018<\/a><\/p>\n

Artists are Schools’ Latest Big Draw, by Greg Hurst, The Times, January 2017<\/a><\/p>\n

\u0397 \u03b3\u03bb\u03c5\u03c0\u03c4\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u03b1\u03c5\u03c4\u03ac\u03c1\u03ba\u03b5\u03b9\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03b7 \u03b5\u03bd\u03bd\u03bf\u03b9\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u03ae \u03c5\u03c0\u03cc\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c4\u03bf\u03c5 Paganus, K\u03c9\u03c3\u03c4\u03ae\u03c2 \u0392\u03b5\u03bb\u03ce\u03bd\u03b7\u03c2, \u0397 \u0391\u03c5\u03b3\u03ae, \u0394\u03b5\u03ba\u03ad\u03bc\u03b2\u03c1\u03b9\u03bf\u03c2 2015<\/a><\/p>\n

\u0397 \u0393\u03bb\u03c5\u03c0\u03c4\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u0395\u03c0\u03b9\u03b8\u03c5\u03bc\u03af\u03b1\u03c2, \u039a\u03c9\u03c3\u03c4\u03ae\u03c2 \u0392\u03b5\u03bb\u03ce\u03bd\u03b7\u03c2, \u0397 \u0391\u03c5\u03b3\u03ae, \u039c\u03ac\u03b9\u03bf\u03c2 2015<\/a><\/p>\n

Maria Georgoula:Pom Pom Expedition, Reviewed by Michelangelo Corsaro, ArtReview Magazine, May 2015<\/a> <\/p>\n

\u0397 \u00abPom Pom Expedition\u00bb \u03c4\u03b7\u03c2 \u039c\u03b1\u03c1\u03af\u03b1\u03c2 \u0393\u03b5\u03c9\u03c1\u03b3\u03bf\u03cd\u03bb\u03b1 \u03c3\u03c4\u03b1 \u0395\u03be\u03ac\u03c1\u03c7\u03b5\u03b9\u03b1, \u0399\u03c9\u03ac\u03bd\u03bd\u03b1 \u0393\u03ba\u03bf\u03bc\u03bf\u03cd\u03b6\u03b1, \u0391\u03b8\u03b7\u03bd\u03cc\u03c1\u03b1\u03bc\u03b1, \u0391\u03c0\u03c1\u03af\u03bb\u03b9\u03bf\u03c2 2015<\/a><\/p>\n

Radical Reading: \u039c\u03b9\u03b1 \u03c1\u03b9\u03b6\u03bf\u03c3\u03c0\u03b1\u03c3\u03c4\u03b9\u03ba\u03ae \u03b1\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7 \u03c4\u03b7\u03c2 \u03c4\u03ad\u03c7\u03bd\u03b7\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03c9\u03bd \u03c3\u03c5\u03b3\u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd \u03c4\u03b7\u03c2 \u03c0\u03c1\u03bf\u03ba\u03cd\u03c0\u03c4\u03b5\u03b9 \u03c9\u03c2 \u03b1\u03bd\u03ac\u03b3\u03ba\u03b7 \u03c4\u03b7\u03c2 \u0394\u03ad\u03c3\u03c0\u03bf\u03b9\u03bd\u03b1\u03c2 \u0396\u03b5\u03c5\u03ba\u03b9\u03bb\u03ae, \u0391\u03b8\u03b7\u03bd\u03cc\u03c1\u03b1\u03bc\u03b1, \u0391\u03c0\u03c1\u03af\u03bb\u03b9\u03bf\u03c2 2015<\/a><\/p>\n

\u0395\u03c1\u03b3\u03b1\u03c3\u03c4\u03ae\u03c1\u03b9\u03b1 \u0391\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7\u03c2 \u03b1\u03c0\u03cc \u03c4\u03bf Radical Reading \u03c3\u03c4\u03bf Circuits and Currents, Culture Now, \u039c\u03ac\u03c1\u03c4\u03b9\u03bf\u03c2 2015<\/a><\/p>\n

\u039c\u0391\u03a1\u0399\u0391 \u0393\u0395\u03a9\u03a1\u0393\u039f\u03a5\u039b\u0391 \u0395\u039a\u0398\u0395\u03a3\u0397 “POM POM EXPEDITION”, MC News, \u0391\u03c0\u03c1\u03af\u03bb\u03b9\u03bf\u03c2 2015″<\/a><\/p>\n

\u03a4\u03bf ready-made \u03c9\u03c2 \u03c6\u03b5\u03c4\u03af\u03c7, \u0395\u03c5\u03b1\u03b3\u03b3\u03b5\u03bb\u03af\u03b1 \u039b\u03b5\u03b4\u03ac\u03ba\u03b7, \u0397 \u0391\u03c5\u03b3\u03ae, \u03a6\u03b5\u03b2\u03c1\u03bf\u03c5\u03ac\u03c1\u03b9\u03bf\u03c2 2014<\/a><\/p>\n

Maria Georgoula, 2011 ArtReview Future Great, Selected by Oliver Basciano, ArtReview Magazine, March 2011<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Tennis Court as Artist\u2019s Studio by Nicolas Vamvouklis, Racquet Magazine, Issue 28, June 2026 Merchandise for Gelsomina, An Issue dedicated to Guiletta Masina, Darling Magazine, June 2026 The Air is Subtle, Yet it Moves, The Italian Art Guide, \u0399\u03bf\u03cd\u03bd\u03b9\u03bf\u03c2 2025 \u039c\u03b9\u03b1 \u03bd\u03ad\u03b1 \u03ad\u03ba\u03b8\u03b5\u03c3\u03b7 \u03ba\u03b9 \u03ad\u03bd\u03b1\u03c2 \u03bd\u03ad\u03bf\u03c2 \u03c7\u03ce\u03c1\u03bf\u03c2 \u03c3\u03b5 \u03bc\u03b9\u03b1 \u03be\u03b5\u03c7\u03b1\u03c3\u03bc\u03ad\u03bd\u03b7 \u03b3\u03b5\u03b9\u03c4\u03bf\u03bd\u03b9\u03ac \u03c4\u03b7\u03c2 \u0391\u03b8\u03ae\u03bd\u03b1\u03c2, \u0391\u03c1\u03b3\u03c5\u03c1\u03ce \u039c\u03c0\u03bf\u03b6\u03ce\u03bd\u03b7, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.mariageorgoula.com\/index.php?rest_route=\/wp\/v2\/pages\/6","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mariageorgoula.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mariageorgoula.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mariageorgoula.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mariageorgoula.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6"}],"version-history":[{"count":46,"href":"https:\/\/www.mariageorgoula.com\/index.php?rest_route=\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":2239,"href":"https:\/\/www.mariageorgoula.com\/index.php?rest_route=\/wp\/v2\/pages\/6\/revisions\/2239"}],"wp:attachment":[{"href":"https:\/\/www.mariageorgoula.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}